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Gods' Man: A Novel in Woodcuts (Dover Fine Art, History of Art), by Lynd Ward
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From the Back Cover
The most important work of American artist and illustrator Lynd Ward, Gods' Man is a powerfully evocative novel, told entirely through woodcuts. Ward (1905–85), in employing the concept of the wordless pictorial narrative, acknowledged his predecessors the European artists Frans Masereel and Otto Nückel. Released the week of the 1929 stock market crash, Gods' Man was the first of six woodcut novels that Ward produced over the next eight years. It presents the artist's struggles in a world characterized by both innocence and corruptions and can be considered a forerunner of the contemporary graphic novel, popularized by artists such as Daniel Clowes.Although best known for his "novels in woodcuts," Ward was also a successful illustrator of children's books. In 1953 he won the Caldecott Medal for The Biggest Bear, which he both wrote and illustrated. His illustrations also appeared in numerous books that received the Newbery Medal. Ward's final work was the acclaimed wordless novel The Silver Pony (1973).Until now, Gods' Man has only been widely available in high-priced original editions. This top-quality, low-cost republication of Ward's masterpiece will be welcomed by collectors of his work as well as by readers new to his achievement. Dover (2004) unabridged republication of the edition published by Jonathan Cape and Harrison Smith, New York, 1929.
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Product details
Series: Dover Fine Art, History of Art
Paperback: 160 pages
Publisher: Dover Publications (March 16, 2004)
Language: English
ISBN-10: 0486435008
ISBN-13: 978-0486435008
Product Dimensions:
6 x 0.5 x 9 inches
Shipping Weight: 9.9 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
40 customer reviews
Amazon Best Sellers Rank:
#379,475 in Books (See Top 100 in Books)
Beautiful and holds up today. Ward's style and sensibility feels timeless, there is enough cynical realism to make it relevant still, sort of the way film noir seems timeless, even though the style is very of its era. I'm glad Dover put this out and made it accessible. I found myself staring into the woodcuts just to try to learn his style, and also because there is so much to take in visually. The lines have a deceptively simple quality at first, then you really see his genius when you gaze at it for a while- a visual economy that was brilliant. His influence on countless graphic novelists is apparent, particularly those working in woodcuts/linocuts.If you like Ward's work, you may want to check out "The Haunted Omnibus"; a collection of short stories in which he did the illustrations, and they are very sophisticated in composition and style - just a lot going on visually. Beautiful line and curves, almost cubist composition. A whole narrative packed into each frame.My descriptions don't do his work justice- get it! Worth the very low price.
"God's Man" (1929) was Ward's first wordless, illustrated novel. It was a hard act to follow: masterfully illustrated, articulate, and thought provoking. "Mad Man's Drum" (1930) tops that remarkable achievement. In it, Ward shows even finer skills in his demanding medium, more evocative imagery, and more baffling turns of narration. The result isn't just a pointless puzzle, but a starting point for an exploration in thought, the kind that rewards the reader no matter where it leads.The format is stark: one black and white image per page, for over 140 pages. The nature of woodcut, in the style used here, is that there are no greys. The black-and-white blacks are truly black, and whites blank white. Ward overcomes that with mastery of fine line, and with "gray" carefully modulated in their alternation. One scene, an optical effect of light streaming though a cathedral window, is simply mind-boggling.Dover has printed these images beautifully in dense darks on heavy, opaque paper. Part of the reason that this book has been so long out of print may be that the technology for doing justice to Ward's images has only just matured enough to make books like this affordable. Don't assume that low price means inferior reproduction - Dover has created (or recreated) a book truly worth having.//wiredweird
This was an unusual find and just the right gift for the graphic artist. The book is both historically and academically significant. It is one of the earliest graphic novels, an impressive study in monochrome, cartooning, and woodcuts.
Considered by many to be the first graphic novel in America, published in 1929, the woodcut illustrations are amazing even by today's standards.
It is wonderful to have this book back in print after so many decades. This is a real achievement in visual storytelling, and helped blaze the trail for the modern graphic novel.The format is starkly simple: one woodcut image per page, black on white. Woodcut isn't a tonal process - grades of light and dark come from alternations of white and black, for which Ward favors fields of parallel lines. His vision tends towards angular, harsh geometries; still, he uses this style in some surprisingly warm ways. "God's Man" is a product of the 1920s Art Deco era, so the combination of hard edges and soft sentiment works well.Since it's a novel without words, much of the imagery is open to interpretation. Even so, Ward delivers his story clearly enough to leave me wondering: is this his own story, about a young artist fumbling and then finding his way in the world? How literal is that amulet of artistic power in Ward's personal mythology? This woodcut artist wields his knives fluently and with grace, so there may a thinly disguised autobiographical note, about the feeling that his own power comes into him from his chosen tools.Don't believe it, though. This artist has full control of his medium. It's an early work from a long, successful career, so I can't even say that he was yet at the height of his craft. "God's Man" is the first I've seen of Ward's work, but it's given me the taste for more.//wiredweird
An eerie, wordless graphic novel (the first of its kind), it's a somewhat simplistic tale of an artist who makes a regrettable bargain. Lynd Ward had a strange, eerie style which is worth studying. The paperback is small and thin, but it's an artistic treasure.
I first saw this book when a friend of mine bought a first edition for two dimes and a nickel thirty years ago. I almost stole it from him! This is one of the most fascinating novels ever made. Lynd Ward was an absolute genius. He helped pioneer the graphic novel. The wood cuts are sublime and filled with detail. What wonderful compositions! What a story! I've read and reread this novel many a time and I seem to see something different in it (and myself) every time. I was delighted to see Mr. Ward's works republished in a paperback format that decently represents the original. Since the original hardback version can cost a fortune, it's nice to have this so I can give it to others and let them experience this magical thing. Check out his other woodcut novels too!
I personally love Lynd Ward very much. The quality of the book is nice for the price and displays these intricate cuts sharply. The prints are on a thin, glossy paper that makes the book very dense with material while being quite small in size.
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